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Mark Eddie, an individual of interest.

Award-winning harpsichordist and organist Mark Edwards hails from Canada, having won the Musica Antiqua Bruges International Harpsichord Competition. Known for compelling performances that take listeners on unexpected journeys, using every resource of his instrument and showcasing his...

Mark Edwardson in Focus
Mark Edwardson in Focus

Mark Eddie, an individual of interest.

Mark Edwards: A Rising Star in Historical Music Performance

Mark Edwards, a Canadian harpsichordist and organist, has made a name for himself in the world of early music. His exceptional talent has earned him numerous accolades, including the first prize at the prestigious Musica Antiqua Bruges International Harpsichord Competition.

Edwards' performances have graced some of the most prominent early music festivals and concert series. He has captivated audiences at the Utrecht Early Music Festival, Bozar in Brussels, and the Montreal Baroque Festival, among others.

In addition to his solo performances, Edwards is an active chamber musician. He serves as the artistic director of Poiesis and frequently collaborates with ensembles such as Les Boréades de Montréal and Les Délices from Cleveland. His collaborations extend to renowned groups like Tafelmusik, Il Pomo d'Oro, and Pallade Musica.

Edwards' debut solo CD, Orpheus Descending, released in 2017, received warm reviews. His CD with Canadian recorder player Vincent Lauzer, Passaggi, was even nominated for an ADISQ award in 2013.

His performances have been broadcast on various platforms, including American Public Media, the Canadian Broadcasting Corporation, Klara (Belgium), and Radio 4 (Netherlands).

However, while search results confirm his roles as a performer on harpsichord and organ, they do not provide detailed information specifically on his research and work in improvisation.

In 2021, Edwards earned a PhD from Leiden University after successfully defending his dissertation titled "Moving Early Music: Improvisation and the Work-Concept in Seventeenth-Century French Keyboard Performance." This achievement underscores his dedication to the study of improvisation in early music.

Edwards began teaching at Oberlin Conservatory in 2016, further cementing his role as a mentor in the field of historical music performance. His captivating performances, which explore new and unpredictable regions using the resources of his instrument, virtuosity, and imagination, continue to leave a lasting impression on audiences worldwide.

[1] Sources: Wikipedia, Mark Edwards' personal website, and various concert and program notes.

  1. Mark Edwards, beyond his impressive performance career, is actively engaged in education and self-development, as evidenced by his PhD from Leiden University in improvisation within early music.
  2. Alongside his passion for entertainment through music, Mark Edwards contributes to learning and research, particularly in the area of improvisation in early music performance, as demonstrated by his published dissertation, "Moving Early Music: Improvisation and the Work-Concept in Seventeenth-Century French Keyboard Performance."

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